Fernando Sor, Miguel Llobet Solés made "24 Studies, Op. 31 "Leçons progressives": No. 13, Andantino" available on 2013. The duration of 24 Studies, Op. 31 "Leçons progressives": No. 13, Andantino is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. 24 Studies, Op. 31 "Leçons progressives": No. 13, Andantino's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Segovia & Contemporaries, Vol. 12: Tárrega, His Disciples & Their Students". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Canada. 24 Studies, Op. 31 "Leçons progressives": No. 13, Andantino is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With 24 Studies, Op. 31 "Leçons progressives": No. 13, Andantino by Fernando Sor, Miguel Llobet Solés having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 American Preludes - Scherzino | Abel Carlevaro, Jad Azkoul | E Major | 0 | 12B | 67 BPM | ||
13 Catalan Folksongs: La pastoreta | Miguel Llobet Solés, Lorenzo Micheli | D Major | 2 | 10B | 135 BPM | ||
Carcassi Op.60 N.1 Allegro | Matteo Carcassi, Lucio Matarazzo | G Major | 6 | 9B | 107 BPM | ||
Fantasia Sobre "El Paño" O Sea "El Punto De La Habana" | María Esther Guzmán | E Minor | 1 | 9A | 75 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Suite Del Recuerdo: III. Chacarera | Jose Luis Merlin | E Minor | 2 | 9A | 113 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM | ||
Ninna nanna: Pensando a Ravel | Maurizio Baudino | B Minor | 0 | 10A | 92 BPM | ||
The Girl With The Flaxen Hair | Marshall (Arr.), Claude Debussy, Christopher Parkening | E Minor | 0 | 9A | 87 BPM | ||
Scherzo - Vals | Miguel Llobet Solés, Lorenzo Micheli | D Major | 1 | 10B | 63 BPM |
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