George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger made "Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 4. Largo e piano" available on January 1, 1966. The duration of Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 4. Largo e piano is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 4. Largo e piano's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger's "Händel: Orgelkonzerte" album is number 8 out of 21. On top of that, Germany appears to be the country where this track was created. Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 4. Largo e piano is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 4. Largo e piano by George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Purcell : King Arthur : Air | William Christie | C Minor | 0 | 5A | 96 BPM | ||
Symphony No. 5 in D Major, Op. 2, "St. Cecilia's Day Ode": III. Tempo di Minuetto | William Boyce, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 93 BPM | ||
Handel: Berenice, regina d'Egitto, HWV 38, Act 1: Recitativo. "Fabio, vedesti mai più bell'orgoglio?" (Alessandro, Fabio) | George Frideric Handel, Alan Curtis, Anicio Zorzi Giustiniani, Il Complesso Barocco, Ingela Bohlin | B♭ Minor | 3 | 3A | 86 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM |
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