Matteo Carcassi, Lucio Matarazzo made "Carcassi Op.60 N.15 Allegro Moderato" available on March 16, 2012. With Carcassi Op.60 N.15 Allegro Moderato being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Matteo Carcassi, Lucio Matarazzo's "Matteo carcassi: 25 etudes mélodiques progressives op. 60 - 6 caprices op.26" album is number 15 out of 31. On top of that, Italy appears to be the country where this track was created. Based on our statistics, Carcassi Op.60 N.15 Allegro Moderato's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Carcassi Op.60 N.15 Allegro Moderato by Matteo Carcassi, Lucio Matarazzo to be Allegro (fast, quick, and bright) because the track has a tempo of 125 BPM, a half-time of 62BPM, and a double-time of 250 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Studio Op.50 N.1 - Andantino | Mauro Giuliani, Lucio Matarazzo | C Major | 0 | 8B | 106 BPM | ||
Fantasia X | Alonso Mudarra, Alexander-Sergei Ramírez | D Major | 1 | 10B | 100 BPM | ||
El Testament d'Amèlia | Carles Trepat | D Minor | 0 | 7A | 115 BPM | ||
Krunk (Arr. by João Kouyoumdjian) | Komitas, João Kouyoumdjian | E Major | 1 | 12B | 91 BPM | ||
Keyboard Sonata in G Major, K.14/L.387/P.70 (arr. Kyuhee Park for guitar) | Domenico Scarlatti, Kyuhee Park | G Major | 1 | 9B | 120 BPM | ||
4 Piano Pieces: No. 2. Fandango del ventorrillo (arr. P. Romero) | Jérémy Jouve | F Minor | 1 | 4A | 120 BPM | ||
Miniatura No.3 - Bahía Azul | Gerson Lizama | A Major | 2 | 11B | 77 BPM | ||
Tristorosa | Heitor Villa-Lobos, Tatyana Ryzhkova | D Minor | 2 | 7A | 79 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 24 in A Minor | Niccolò Paganini, Marco Tamayo | A Minor | 2 | 8A | 138 BPM |
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