"Flute Concerto in D Major, QV 5:74: III. Allegro assai e scherzando" by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble was released on July 15, 2014. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Quantz: 4 Flute Concertos". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hungary. Based on our statistics, Flute Concerto in D Major, QV 5:74: III. Allegro assai e scherzando's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in D Major, QV 5:74: III. Allegro assai e scherzando by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In C Major, TWV 55: C6: VI. Rondeau | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 0 | 8B | 62 BPM | ||
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | E Minor | 1 | 9A | 77 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Concerto pour violon "Les Rainettes", en La Majeur: Concerto pour violon "Les Rainettes", en La Majeur: I. Ohne Satzbezeichnung | Georg Philipp Telemann, Midori Seiler, Stephan Mai, Akademie für Alte Musik Berlin | A♭ Major | 2 | 4B | 117 BPM | ||
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": I. Sinfonia, ''Adagio'' | Johann Sebastian Bach, Keisuke Wakao, Malcolm Lowe, Victor Romanul, Cathy Basrak, Sato Knudsen, Edwin Barker | D♭ Major | 8 | 3B | 117 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM |
Section: 0.6731147766113281
End: 0.6780521869659424