- BPM
- 171
- Key
- D Minor
- Camelot
- 7A
Norma-Introduzione strumentale - Mirto Picchi, Giacomo Vaghi, Maria Callas, Ebe Stignani, Dame Joan Sutherland, Paul Asciak, Stignani, Picchi, Vaghi, Sutherland Information
- Acousticness
- 98%
- Danceability
- 14%
- Energy
- 5%
- Instrumentalness
- 38%
- Liveness
- 13%
- Loudness
- 56%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -26.39 dB
Summary
"Norma-Introduzione strumentale" by Mirto Picchi, Giacomo Vaghi, Maria Callas, Ebe Stignani, Dame Joan Sutherland, Paul Asciak, Stignani, Picchi, Vaghi, Sutherland was released on May 1, 2012. The duration of Norma-Introduzione strumentale is about 3 minutes long, at 3:12. Based on our data, "Norma-Introduzione strumentale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Norma". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United States. The popularity of Norma-Introduzione strumentale is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Norma-Introduzione strumentale BPM
With Norma-Introduzione strumentale by Mirto Picchi, Giacomo Vaghi, Maria Callas, Ebe Stignani, Dame Joan Sutherland, Paul Asciak, Stignani, Picchi, Vaghi, Sutherland having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
Norma-Introduzione strumentale Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | L'italiana in Algeri: Atto I. Cavatina. Languir per una bella | Gioachino Rossini, Alasdair Kent, Orchestra Of The 18th Century, Giancarlo Andretta | A♭ Major | 2 | 4B | 98 BPM | |
 | Ponchielli: La Gioconda, Act 3: "O madre mia, nell'isola fatale" (Gioconda) | Amilcare Ponchielli, Maria Callas, Antonino Votto, Orchestra di Torino Della RAI | F Major | 1 | 7B | 77 BPM | |
 | Bellini: Norma, Act 1: "Ma di '... l'amato giovine" (Norma, Adalgisa, Pollione) [Live] | Vincenzo Bellini, Maria Callas, Ebe Stignani, Mirto Picchi, Vittorio Gui, Orchestra of the Royal Opera House, Covent Garden | A Minor | 4 | 8A | 89 BPM | |
 | Francesca da Rimini: Act I: Viene! Viene! Madonna (Le Donne, Francesca, Chorus) | Riccardo Zandonai, Ilva Ligabue, Nicoletta Panni, Fernando Valentini, Aldo Protti, Mirto Picchi, Piero de Palma, Alberta Valentini, Renata Mattioli, Bianca-Maria Casoni, Palma Martini, Luisa Ribacchi, Mario Carlin, Paolo Pedani, Guido Pasella, Coro di Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Nino Sanzogno | D Major | 5 | 10B | 96 BPM | |
 | The Merry Widow (Die lustige Witwe) / Act 1: "Verehrteste Damen und Herren" | Franz Lehár, Donald Grobe, Zoltan Kelemen, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | |
 | Khovanshchina (Sung in Italian): Act I: Grazia, grazia, lasciatemi! (Emma, Andrea, Marfa) | Modest Mussorgsky, Boris Christoff, Mario Petri, Irene Companez, Amedeo Berdini, Mirto Picchi, Michele Malaspina, Jolanda Mancini, Herbert Handt, Dimitri Lopatto, Andrea Mineo, Giorgio Canello, Coro di Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Artur Rodzinski | E♭ Major | 4 | 5B | 77 BPM | |
| Francesca da Rimini: Act III: Deh … creatura allegra (Le Donne) | Riccardo Zandonai, Ilva Ligabue, Nicoletta Panni, Fernando Valentini, Aldo Protti, Mirto Picchi, Piero de Palma, Alberta Valentini, Renata Mattioli, Bianca-Maria Casoni, Palma Martini, Luisa Ribacchi, Mario Carlin, Paolo Pedani, Guido Pasella, Coro di Roma della RAI, Orchestra Sinfonica Nazionale della RAI di Roma, Nino Sanzogno | D Major | 5 | 10B | 96 BPM | |
 | Son lo spirito che nega - from Mefistofele | Arrigo Boito, Erwin Schrott, Daniele Rustioni | C Major | 3 | 8B | 90 BPM | |
 | Cherubini: Medea, Act 2: "Figli miei, miei tesor" (Medea, Giasone) | Luigi Cherubini, Maria Callas, Mirto Picchi, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 2 | 7A | 74 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM |
- ISRC
- USA561313106
- Label
- L-M Records/RCA Records
Section: 1.0281450748443604
End: 1.0338265895843506