Georg Philipp Telemann, Jean-Pierre Rampal, Saar Chamber Orchestra, Karl Ristenpart made "Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: VII. Polonaise" available on June 7, 2011. The duration of Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: VII. Polonaise is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: VII. Polonaise's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Pierre Rampal, Jean-François Paillard, Karl Ristenpart's "Jean-Pierre Rampal Plays Mozart & Telemann (1956,1958)" album is number 13 out of 13. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: VII. Polonaise is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Overture (Suite) in A Minor for Recorder and Strings, TWV 55:a2: VII. Polonaise by Georg Philipp Telemann, Jean-Pierre Rampal, Saar Chamber Orchestra, Karl Ristenpart to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Violin Concerto in D Major, Op. 7, No. 2: I. Adagio-Allegro | Jean-Marie Leclair, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Major | 1 | 3B | 95 BPM | ||
Abdelazar Suite, Z. 570: IV. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Triumphierender Versöhner, TWV 1:1422: No. 1, Triumphierender Versöhner | Georg Philipp Telemann, Bergen Barokk | F♯ Minor | 2 | 11A | 115 BPM | ||
Trio Sonata for 2 Violins and Continuo in G, Op.5, No.4, HWV 399: 3. Passacaille | George Frideric Handel, Simon Standage, Michaela Comberti, Anthony Pleeth, Trevor Pinnock | A Major | 2 | 11B | 115 BPM | ||
Telemann: Viola Concerto in G Major, TWV 51:G9: IV Presto | Georg Philipp Telemann, Frans Brüggen, André Rieu, Franz Vester, Gustav Leonhardt, Paul Doctor, Chamber Orchestra of Amsterdam, Concerto Amsterdam, Südwestdeutsches Kammerorchester, & Friedrich Tilegant, Concerto Amsterdam, Gustav Leonhardt, Paul Doktor, Frans Brüggen | D Major | 1 | 10B | 92 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 1 in D Major, TWV 43:D3: IV. Gaiment | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | G Minor | 1 | 6A | 129 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Concerto Grosso in F Major, Op. 1, No. 1: I. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Major | 2 | 8B | 137 BPM |
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