"Fanfare & National Anthem" by Gordon Jacob, The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary was released on May 8, 2012. The duration of Fanfare & National Anthem is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Fanfare & National Anthem's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Queen's Diamond Jubilee - Royal Music from Westminster Abbey". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Fanfare & National Anthem is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fanfare & National Anthem by Gordon Jacob, The Choir Of Westminster Abbey, Martin Baker, London Brass, Iain Simcock, Martin Neary having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messiah, HWV 56, Pt. 1: Chorus. For Unto Us a Child Is Born | George Frideric Handel, Winchester Cathedral Choir, London Handel Orchestra, Martin Neary | F♯ Major | 1 | 2B | 101 BPM | ||
Carol Of The Bells | Mykola Dmytrovych Leontovych, St. Paul's Cathedral Choir, Andrew Carwood | G Minor | 2 | 6A | 170 BPM | ||
Tell out, my soul | Huddersfield Choral Society | D Major | 2 | 10B | 112 BPM | ||
Bach: Herz und Mund und Tat und Leben, BWV 147: Chorale. "Jesus bleibet meine Freude, Meines Herzen Lust und Saft" | Johann Sebastian Bach, Choir of King's College, Cambridge, Sir David Willcocks, Academy of St. Martin in the Fields | G Major | 1 | 9B | 94 BPM | ||
We Three Kings of Orient Are | St. Paul's Cathedral Choir | A♭ Major | 3 | 4B | 59 BPM | ||
In the bleak midwinter | Harold Darke, The Choir Of Westminster Abbey, Martin Neary | G Major | 0 | 9B | 85 BPM | ||
O Holy Night | Adolphe Adam, All Angels, The Choirboys, Martin Neary | E♭ Major | 3 | 5B | 77 BPM | ||
The Lord's my shepherd | David Grant, St. Paul's Cathedral Choir, Malcolm Archer | D Major | 2 | 10B | 83 BPM | ||
A Ceremony of Carols, Op. 28: No. 1, Procession | Benjamin Britten, Winchester College Quiristers, Malcolm Archer | C Major | 1 | 8B | 78 BPM | ||
Messiah, HWV 56, Pt. 2 Scene 7: No. 44, Hallelujah (Chorus) | George Frideric Handel, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | D Major | 4 | 10B | 112 BPM |
Section: 0.8592679500579834
End: 0.8632113933563232