"We Were in the Backseat" by Crows in the Rain was released on May 14, 2020. Since We Were in the Backseat is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of You Walked with Me Then, Before Night or Day by Echoes Across the Sky, Crows in the Rain. The song's track number on the album is #1 out of 3 tracks. We Were in the Backseat is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since We Were in the Backseat by Crows in the Rain has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With We Were in the Backseat being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stranger | Marek Iwaszkiewicz | B Minor | 1 | 10A | 84 BPM | ||
Ruins of MMXVII | ColdWorld | G Minor | 1 | 6A | 100 BPM | ||
Cosmic Dawn | Crows in the Rain | C Major | 3 | 8B | 73 BPM | ||
Rüzgara Karşı | Turkish Delight | B♭ Minor | 2 | 3A | 100 BPM | ||
Hypomanie | Milanku | C Minor | 6 | 5A | 60 BPM | ||
Separation | Evgeny Grinko | E Minor | 2 | 9A | 69 BPM | ||
Eternal Jellyfish Ballet | Kwoon | B Minor | 1 | 10A | 170 BPM | ||
Souls of the Nile | Beautiful Death | A Minor | 8 | 8A | 115 BPM | ||
Silent Means Consent | Da Voile | G Minor | 8 | 6A | 140 BPM | ||
The day I lost her (Ceeys rework) | Sergio Díaz De Rojas, Ceeys | F Minor | 0 | 4A | 113 BPM |
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