Jean Sibelius, Hannu Jurmu, Jouni Somero's 'Partiolaisten marssi (Scout March), Op. 91b (arr. for tenor solo and piano)' came out on May 29, 2007. The duration of Partiolaisten marssi (Scout March), Op. 91b (arr. for tenor solo and piano) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Partiolaisten marssi (Scout March), Op. 91b (arr. for tenor solo and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Sibelius: Songs, Vol. 2". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Partiolaisten marssi (Scout March), Op. 91b (arr. for tenor solo and piano) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Partiolaisten marssi (Scout March), Op. 91b (arr. for tenor solo and piano) by Jean Sibelius, Hannu Jurmu, Jouni Somero having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Ateenalaisten laulu | Jean Sibelius, Viktor Rydberg, Yrjö Veijola, Kaaderilaulajat, Sami Hannula, Kaartin soittokunta | A♭ Major | 4 | 4B | 74 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 72 BPM |
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