Giacomo Puccini, Phillip McCann, Black Dyke Band, Major Peter Parkes's 'La Bohème, Act I: Che gelida manina (Arr. for Cornet and Brass Band)' came out on January 1, 1992. With this song being about 5 minutes long, at 4:33, "La Bohème, Act I: Che gelida manina (Arr. for Cornet and Brass Band)" by Giacomo Puccini, Phillip McCann, Black Dyke Band, Major Peter Parkes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of World's Most Beautiful Melodies, Vol. 2 by Phillip McCann, Black Dyke Band, Gordon Langford, Major Peter Parkes, Skaila Kanga, Malcolm Hicks, Academy of St. Martin in the Fields. The song's track number on the album is #1 out of 15 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, La Bohème, Act I: Che gelida manina (Arr. for Cornet and Brass Band)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since La Bohème, Act I: Che gelida manina (Arr. for Cornet and Brass Band) by Giacomo Puccini, Phillip McCann, Black Dyke Band, Major Peter Parkes has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With La Bohème, Act I: Che gelida manina (Arr. for Cornet and Brass Band) being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM | ||
Puccini: Un bel di, vedremo, Madama Butterfly | Celine Byrne, Giacomo Puccini, RTÉ National Symphony Orchestra, Marco Zambelli | D♭ Major | 1 | 3B | 90 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Turandot / Act 3: Nessun dorma! | Giacomo Puccini, Andrea Bocelli, German Olvera, Valentino Buzza, Pablo Garcia Lopez, Coro de la Comunitat Valenciana, Orquestra de la Comunitat Valenciana, Zubin Mehta | F Major | 3 | 7B | 171 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Act II No. 12: Arietta - Voi, che sapete | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | B♭ Major | 1 | 6B | 118 BPM | ||
Cavalleria rusticana: "Voi lo sapete, o mamma" | Pietro Mascagni, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | E Minor | 2 | 9A | 168 BPM | ||
Il barbiere di Siviglia / Act 1: "Una voce poco fa" | Gioachino Rossini, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | B Major | 1 | 1B | 78 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Strauss II, J: Frühlingsstimmen, Op. 410 | Johann Strauss II, Natalie Dessay, Michael Schønwandt, Berliner Sinfonieorchester | E♭ Major | 2 | 5B | 106 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM |
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