Anonymous, Johann Sebastian Bach, Anna Christiane Neumann made "Schau, lieber Gott, wie meine Feind, BWV 153: Chorale: Und ob gleich alle Teufel (arr. for keyboard)" available on November 6, 2015. With Schau, lieber Gott, wie meine Feind, BWV 153: Chorale: Und ob gleich alle Teufel (arr. for keyboard) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 13 out of 33 in Bach Without Words by Johann Sebastian Bach, Anna Christiane Neumann. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Schau, lieber Gott, wie meine Feind, BWV 153: Chorale: Und ob gleich alle Teufel (arr. for keyboard) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Schau, lieber Gott, wie meine Feind, BWV 153: Chorale: Und ob gleich alle Teufel (arr. for keyboard) by Anonymous, Johann Sebastian Bach, Anna Christiane Neumann is Prestissimo (even faster than presto), since this song has a tempo of 234 BPM. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 3 | 2B | 113 BPM | ||
Psaume 128: Bienheureux est quiconque | Claude Goudimel, Claude Goudimel Ensemble, Christine Morel | G Minor | 2 | 6A | 135 BPM | ||
Missa pastoril para a noite de Natal: Kyrie eleison | José Maurício Nunes Garcia, Ensemble Turicum, Mathias Weibel, Luiz Alves Da Silva | C Major | 1 | 8B | 84 BPM | ||
It Is Truly Meet | Domestik Municipal Choir of Ekaterinburg | C Major | 2 | 8B | 134 BPM | ||
Chant Lithurgique (Paix Avec Nous) | Ensemble des chants et choeurs russes orthodoxes | D♭ Minor | 0 | 12A | 74 BPM | ||
Office des laudes : Antienne o quam gloriosum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | G Major | 0 | 9B | 99 BPM | ||
Vidi Aquam | Monks Of The Benedictine Abbey | F♯ Major | 1 | 2B | 79 BPM | ||
Improperium - Ofertorio (Modo VIII) | Anonymous, Coro De Monjes Del Monasterio De Silos, Francisco Lara | F♯ Major | 1 | 2B | 81 BPM | ||
Grant This, O Lord From | The Russian State Symphony Cappella | D♭ Major | 1 | 3B | 68 BPM | ||
Missa cunctipotens genitor Deus - Sanctus | Nova Schola Gregoriana, Alberto Turco | C Major | 1 | 8B | 100 BPM |
Section: 0.7264580726623535
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