Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé made "Veni creator, S. 14: Qui Paraclitus diceris" available on February 4, 2022. With Veni creator, S. 14: Qui Paraclitus diceris being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé's "Michel-Richard de Lalande: Grands Motets, Dies irae, Miserere, Veni creator" album is number 33 out of 38. On top of that, France appears to be the country where this track was created. Based on our statistics, Veni creator, S. 14: Qui Paraclitus diceris's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Veni creator, S. 14: Qui Paraclitus diceris by Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Ave Regina Caelorum: II. Gaude Virgo | Antonio Caldara, Alex Potter, La Festa Musicale | F♯ Minor | 3 | 11A | 131 BPM | ||
Stabat Mater, P. 77: VII. Eia Mater | Giovanni Battista Pergolesi, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Nisi Dominus, RV 608: VII. Gloria patri | Antonio Vivaldi, Syste Bulwalda, Netherlands Bach Collegium, Pieter Jan Leusink | D♭ Minor | 0 | 12A | 170 BPM | ||
Deitatis Majestatem: IV. O caro Christi vera | Michel Richard Delalande, Le Poème Harmonique, Vincent Dumestre, Sean Clayton, Cyril Auvity | B Major | 1 | 1B | 131 BPM | ||
Divertimento in E-Flat Major, TWV 50:21: Divertimento in E-Flat Major, TWV 50:21: II. La Reveille | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Qui tollis | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |
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