"Sinfonia in B-Flat Major for Cello & Basso continuo: II. Spiritoso" by Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble was released on April 21, 2017. With this song being about 5 minutes long, at 4:35, "Sinfonia in B-Flat Major for Cello & Basso continuo: II. Spiritoso" by Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 23 in Costanzi: Sinfonie per violoncello by Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble, Monika Leskovar. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Sinfonia in B-Flat Major for Cello & Basso continuo: II. Spiritoso is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia in B-Flat Major for Cello & Basso continuo: II. Spiritoso by Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | C Major | 4 | 8B | 103 BPM | ||
Ouverture-Suite in C Major, TWV 55:C6: IV. Bourrée en trompette | Georg Philipp Telemann, Karlsson Barock, Goran Karlsson | B Major | 7 | 1B | 108 BPM | ||
Concerto in A Minor for 3 Violins, Viola and Basso Continuo: IV. Allegro | Nicola Fiorenza, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Quatrième suite in A Minor: No. 8, La sautillante - Double | Marin Marais, François Joubert-Caillet, L'Achéron | F Major | 1 | 7B | 122 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Menuett 1/2 | Cologne Chamber Orchestra | A Minor | 0 | 8A | 129 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Sonata a 4 in F minor, Op.1: No.4, "Imitatio in Salve Regina mater misericordiæ": in C Minor: II. Adagio | Angelo Ragazzi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Hexachordum Apollinis: No. 4 in G Minor, Aria & 6 Variations, P. 196 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Vivaldi: Concerto for Violin and Cello in F Major, RV 544 "Proteo o sia il mondo al rovescio": I. Allegro | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro, Federico Guglielmo | B Major | 0 | 1B | 133 BPM | ||
Sinfonia in C Major for Cello & Basso continuo: II. Allegro | Giovanni Battista Costanzi, Giovanni Sollima, Arianna Art Ensemble | B Major | 2 | 1B | 152 BPM |
Section: 0.8366987705230713
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