Lynn Ahrens, Stephen Flaherty, Sharon Wilkins made "Chasing The Whos - Original Broadway Cast Recording" available on January 1, 2001. The duration of Chasing The Whos - Original Broadway Cast Recording is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Chasing The Whos - Original Broadway Cast Recording's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seussical". In this album, this song's track order is #15. In terms of popularity, Chasing The Whos - Original Broadway Cast Recording is currently below average in popularity. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Chasing The Whos - Original Broadway Cast Recording by Lynn Ahrens, Stephen Flaherty, Sharon Wilkins having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Legacy (Prologue) | Sarah Uriarte Berry, Steven Pasquale, Lynn Ahrens, Stephen Flaherty | B Major | 4 | 1B | 120 BPM | ||
Bottom's Gonna Be on Top | Wayne Kirkpatrick, Brian D'Arcy James, 'Something Rotten' Company, Karey Kirkpatrick, Kurt Deutsch, Kevin McCollum | C Major | 6 | 8B | 194 BPM | ||
Joy To The Girls | Stephanie J. Block, Megan Hilty, Allison Janney, Marc Kudisch and Ensemble | D Major | 6 | 10B | 73 BPM | ||
The People Versus Horton The Elephant - Original Broadway Cast Recording | Kevin Chamberlin | E Major | 5 | 12B | 82 BPM | ||
In The Bar / Heave Away | 'Come From Away' Company | D Major | 9 | 10B | 137 BPM | ||
Blankets And Bedding | 'Come From Away' Company | E Minor | 8 | 9A | 124 BPM | ||
It Must Be Believed To Be Seen | Christian Borle, Emma Pfaeffle, Michael Wartella, Trista Dollison, F. Michael Haynie, Charlie and the Chocolate Factory Broadway Ensemble | F Minor | 5 | 4A | 126 BPM | ||
I'd Be Delighted | Mindi Dickstein, Jason Howland, 'Little Women' Original Broadway Cast | A♭ Minor | 4 | 1A | 141 BPM | ||
Prologue/Little Shop of Horrors | Ari Groover, Salome Smith, Joy Woods, Little Shop of Horrors Off-Broadway Revival Company | G Major | 7 | 9B | 148 BPM | ||
Perhaps a Child - Bonus Track | Chris Hoch | A Minor | 2 | 8A | 87 BPM |
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