"Ein feste Burg ist unser Gott, BWV 80: VII. Duetto "Wie selig sind doch die, die Gott im Munde tragen"" by Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Robin Blaze, Nicholas Mulroy was released on August 25, 2017. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Reformation 1517-2017". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. The popularity of Ein feste Burg ist unser Gott, BWV 80: VII. Duetto "Wie selig sind doch die, die Gott im Munde tragen" is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ein feste Burg ist unser Gott, BWV 80: VII. Duetto "Wie selig sind doch die, die Gott im Munde tragen" by Johann Sebastian Bach, Choir of Clare College, Cambridge, Graham Ross, Clare Baroque, Margaret Faultless, Robin Blaze, Nicholas Mulroy having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 4 Harpsichords, Strings, And Continuo In A Minor, BWV 1065: 1. (Allegro) | Johann Sebastian Bach, Ton Koopman, Tini Mathot, Friederike Ernst, David Collyer, Amsterdam Baroque Orchestra | A♭ Minor | 5 | 1A | 98 BPM | ||
Violin Concerto in A Minor, BWV 1041: II. Andante | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | C Major | 1 | 8B | 74 BPM | ||
Nisi Dominus, RV 608 - Arr. Cello: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Chopin: Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 | Frédéric Chopin, Gabriela Montero | D♭ Major | 0 | 3B | 107 BPM | ||
Three Postludes (1981/82): Postlude No. 3 | Valentin Silvestrov, Anja Lechner, Silke Avenhaus | D Major | 0 | 10B | 70 BPM | ||
Violin Sonata in B-Flat Major, Op. 5 No. 2: III. Vivace | Arcangelo Corelli, Lina Tur Bonet, Musica Alchemica | A♭ Major | 3 | 4B | 83 BPM | ||
Cello Suite No. 6 in D Major, BWV 1012: II. Allemande | Johann Sebastian Bach, Yo-Yo Ma | D Major | 1 | 10B | 137 BPM |
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