Ennio Morricone, Czech National Symphony Orchestra, Csaba Kiss, Péter Gyüvészi, Stefano Cucci made "The Good, The Bad And The Ugly - Live" available on August 4, 2020. The duration of The Good, The Bad And The Ugly - Live is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. The Good, The Bad And The Ugly - Live's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 265 in the song's album "The Art of Ennio Morricone". In this album, this song's track order is #107. Furthermore, we believe that the track originated from Italy. In terms of popularity, The Good, The Bad And The Ugly - Live is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Good, The Bad And The Ugly - Live by Ennio Morricone, Czech National Symphony Orchestra, Csaba Kiss, Péter Gyüvészi, Stefano Cucci having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The English Patient | Academy of St. Martin in the Fields, Gabriel Yared | B Minor | 0 | 10A | 63 BPM | ||
Shane Theme - From "Shane" Original Soundtrack | Victor Young | F Major | 2 | 7B | 178 BPM | ||
Trinity: a mollo nella tinozza | Franco Micalizzi. Orch. Diretta M° Plenizio | D Minor | 1 | 7A | 93 BPM | ||
Act 3 [Rigoletto} - Lili Marlene | La Scala, Nuccio Siano | F Major | 2 | 7B | 103 BPM | ||
We Had Today | Rachel Portman | D Major | 1 | 10B | 81 BPM | ||
Here To There | Michael Nyman | C Major | 2 | 8B | 120 BPM | ||
The Kite - Finding Neverland/Soundtrack Version | Jan A.P. Kaczmarek, Nick Ingman | C Major | 1 | 8B | 68 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Giacomo Aragall, Stefka Evstatieva, Anna di Mauro, Alžbeta Michálková, Eduard Tumagian, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | F Major | 0 | 7B | 82 BPM | ||
Bestiality - 2016 Version | Ennio Morricone, Czech National Symphony Orchestra, Csaba Kiss, Péter Gyüvészi, Stefano Cucci | A Major | 2 | 11B | 114 BPM | ||
Vianne Gazes at the River - Instrumental | Rachel Portman | C Minor | 0 | 5A | 73 BPM |
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