On September 9, 1988, the song "Taro re Bharoso Amane Bhari" was released by NARAYANSWAMI. Since Taro re Bharoso Amane Bhari is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in NARAYANSWAMI's "Mari Heli Re" album is number 6 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Taro re Bharoso Amane Bhari's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Taro re Bharoso Amane Bhari by NARAYANSWAMI to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jay Jalaram Bapa Jay Jalaram | Gagan Jethva | D♭ Major | 5 | 3B | 75 BPM | ||
Panchmahal No Poriyo Gafuli | Kamlesh Barot, Vikram Chauhan | G Major | 9 | 9B | 115 BPM | ||
Maa Pava Te Gadh Thi Utarya | Ratan Sinh Vaghela, Damyanti Barot | A Minor | 6 | 8A | 88 BPM | ||
Light Speed | Aniruddhacharya Ji | A Major | 6 | 11B | 140 BPM | ||
Bhajan Vina Mari Bhukh Nahi Bhange | Kiran Prajapati | E Major | 9 | 12B | 117 BPM | ||
Le Lo Le Lo Duayen Maa Baap Ki | Mahendra Kapoor | F Minor | 4 | 4A | 81 BPM | ||
Sarangpur Na Dhame Joya Kashtbhanjan Dev | Lalita Ghodadra, Arvind Barot | A♭ Major | 5 | 4B | 175 BPM | ||
Kaan Re Tari Jini Najru | Devalben Gadhvi | A♭ Minor | 4 | 1A | 113 BPM | ||
Birju Barot (Amblo) | Studio Krishna Bhanvad | A♭ Major | 1 | 4B | 106 BPM | ||
He Ma Sharda | Satish Dehra, Foram Maheta | E♭ Major | 5 | 5B | 185 BPM |
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