"Intermezzo No. 1 in E-Flat Major, Op. 117 - Andante moderato - Remastered" by Johannes Brahms, Glenn Gould was released on 1961. Intermezzo No. 1 in E-Flat Major, Op. 117 - Andante moderato - Remastered is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. The song is number 1 out of 10 in Brahms: 10 Intermezzi for Piano (Gould Remastered) by Johannes Brahms, Glenn Gould. Intermezzo No. 1 in E-Flat Major, Op. 117 - Andante moderato - Remastered is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Intermezzo No. 1 in E-Flat Major, Op. 117 - Andante moderato - Remastered by Johannes Brahms, Glenn Gould is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Partita No. 1 in B-Flat Major, BWV 825: I. Prelude | Johann Sebastian Bach, Glenn Gould | B♭ Major | 1 | 6B | 92 BPM | ||
Intermezzo No. 2 in B-Flat Minor, Op. 117 - Andante non troppo e con molta espressione - Remastered | Johannes Brahms, Glenn Gould | B♭ Minor | 0 | 3A | 203 BPM | ||
Variations for Piano, Op. 27: III. Ruhig fliessend | Anton Webern, Glenn Gould | G Major | 0 | 9B | 98 BPM | ||
Fantasy in C Major, Op. 159, D. 934: I. Andante molto | Franz Schubert, Julia Fischer, Martin Helmchen | C Major | 0 | 8B | 87 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Busoni: Ich ruf' zu dir (After Bach's chorale prelude, BWV 639), BV B27 No. 5 | Ferruccio Busoni, Alexandre Tharaud | F Minor | 0 | 4A | 66 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Prelude and Fugue No. 10 in E Minor, BWV 855: Prelude | Johann Sebastian Bach, Glenn Gould | G Major | 2 | 9B | 181 BPM |
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