Raul Julia made "Call from the Grave" available on 1997. With Call from the Grave being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 22 in the song's album "The Threepenny Opera". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United States. Call from the Grave is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Call from the Grave by Raul Julia having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Grass is Always Greener | Lauren Bacall, Marilyn Cooper, Woman of the Year Orchestra | G Major | 3 | 9B | 101 BPM | ||
Somewhere That's Green (from "Little Shop of Horrors") - Live | Ellen Greene | G Major | 0 | 9B | 85 BPM | ||
Coffee Shop Nights | The Original Broadway Cast Of 'Curtains' | A Major | 1 | 11B | 129 BPM | ||
Aldonza - Man Of La Mancha/1965 Original Broadway Cast/Remastered 2000 | Joe Darion, Mitch Leigh, Joan Diener, Richard Kiley | B♭ Minor | 3 | 3A | 134 BPM | ||
How Can I Wait? | Alexandra Socha | A♭ Major | 3 | 4B | 104 BPM | ||
With Every Breath I Take (Duet) | James Naughton, Kay McClelland | F♯ Minor | 1 | 11A | 79 BPM | ||
When The Children Are Asleep | Alexander Gemignani, Lindsay Mendez | F Major | 3 | 7B | 76 BPM | ||
No Life | Charles Kimbrough, Dana Ivey | C Major | 3 | 8B | 98 BPM | ||
Finale "Once Upon A Mattress" | Mary Rodgers, Joe Bova, Matt Mattox, Jack Gilford | D Major | 1 | 10B | 94 BPM | ||
Those Were the Good Old Days | Ray Walston | D♭ Minor | 2 | 12A | 124 BPM |
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