- BPM
- 75
- Key
- G Major
- Camelot
- 9B
Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 - Frédéric Chopin, Cyprien Katsaris Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 9%
- Instrumentalness
- 92%
- Liveness
- 8%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 20%
- Popularity
- 9%
- Loudness
- -29.371 dB
Summary
Frédéric Chopin, Cyprien Katsaris's 'Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2' came out on December 30, 2023. Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 18 out of 40 in Chopin: Masterpieces by Frédéric Chopin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 BPM
The tempo marking of Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 by Frédéric Chopin, Cyprien Katsaris is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Chopin: Waltz No. 3 in A Minor, Op. 34 No. 2 Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | |
 | 3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | |
 | 8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | |
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | 3 Pieces, Op. 2: No. 1 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | D♭ Minor | 0 | 12A | 128 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Ballade No. 1 in G Minor, Op. 23 | Frédéric Chopin, Janusz Olejniczak | E♭ Major | 2 | 5B | 133 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM |
- ISRC
- DEA800115668
- Label
- L-M Records/RCA Records
Section: 0.7387239933013916
End: 0.7494516372680664