Patricia Spero made "Ave Maria, D. 839, Op. 52, No. 6" available on January 1, 1991. Ave Maria, D. 839, Op. 52, No. 6 is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. The song is number 4 out of 8 in Classical Harp by Patricia Spero. In terms of popularity, Ave Maria, D. 839, Op. 52, No. 6 is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Ave Maria, D. 839, Op. 52, No. 6 by Patricia Spero is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hole in the Wall | Sarah Marie Mullen | G Major | 2 | 9B | 108 BPM | ||
The Lilac Flower | Sunita | A Minor | 0 | 8A | 107 BPM | ||
The Blossom of the Raspberry | Carol Thompson | D Major | 0 | 10B | 95 BPM | ||
Suite Pour Orchestre No 3: Air Sur La Corde De Sol | Patricia Spero | E♭ Major | 3 | 5B | 156 BPM | ||
Lettre à Élise | Laura Silberberg | A Minor | 1 | 8A | 170 BPM | ||
Where Have All The Flowers Gone | Patricia Spero | C Major | 0 | 8B | 171 BPM | ||
The Days to Come | Nadia Birkenstock | C Major | 1 | 8B | 77 BPM | ||
Held | David Woodman | G Major | 2 | 9B | 104 BPM | ||
Entr'Acte from Carmen (Bizet) | Kimberly Shippey & Patricia Johnston | E♭ Major | 1 | 5B | 62 BPM | ||
The Way We Were | Malcolm Ball, Patricia Spero, M. Hamlisch, Kate Cuzner, Barbara Brown, Murray Solomon | A Major | 1 | 11B | 139 BPM |
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