"Sete cantigas d'amor de D. Dinis: VII. Quix ben, amigos, e quer'e querrei" by Martin Codax, Paul Hillier, Theatre Of Voices was released on August 8, 2006. With this song being about 5 minutes long, at 4:50, "Sete cantigas d'amor de D. Dinis: VII. Quix ben, amigos, e quer'e querrei" by Martin Codax, Paul Hillier, Theatre Of Voices is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 30 in Cantigas by Paul Hillier, Theatre Of Voices, Andrew Lawrence-King. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Sete cantigas d'amor de D. Dinis: VII. Quix ben, amigos, e quer'e querrei is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sete cantigas d'amor de D. Dinis: VII. Quix ben, amigos, e quer'e querrei by Martin Codax, Paul Hillier, Theatre Of Voices is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jam sauche | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | F Minor | 1 | 4A | 93 BPM | ||
Terpsichore*: Bransle Double 3 | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 77 BPM | ||
The Dancing Master: Newcastle | John Playford, The Broadside Band, Jeremy Barlow | G Major | 2 | 9B | 114 BPM | ||
M. Giles Hoby his Galiard | John Dowland, Jadran Duncumb, Accademia Strumentale Italiana, Alberto Rasi | C Minor | 1 | 5A | 104 BPM | ||
Piva | Joan Ambrosio Dalza, Munir Beken, August Denhard | C Major | 3 | 8B | 115 BPM | ||
Tarantellas I (Arr. for Recorders and Baroque Guitar by Miriam Nerval) | Palisander, Toby Carr | G Minor | 1 | 6A | 73 BPM | ||
Preludio | John Dowland, Belén Nieto, Rainer Seiferth | G Minor | 0 | 6A | 85 BPM | ||
Wolauff, Gesell! | Oswald von Wolkenstein, La Reverdie | C Major | 2 | 8B | 114 BPM | ||
La Gamba in Basso e Soprano | Vincenzo Ruffo, Into the Winds | F Minor | 3 | 4A | 132 BPM | ||
Cantaben els osells | Ramon Llull, Maria Lafitte, Unicorn Ensemble, Oni Wytars Ensemble, Michael Posch | A Minor | 4 | 8A | 167 BPM |
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