"Deux âmes au ciel, Op. 25 (Arr. for Cello & Orchestra)" by Jacques Offenbach, Guido Schiefen, WDR Rundfunkorchester Köln, David De Villiers was released on December 1, 2004. Since Deux âmes au ciel, Op. 25 (Arr. for Cello & Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Offenbach: Cello Concertos". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Germany. Deux âmes au ciel, Op. 25 (Arr. for Cello & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Deux âmes au ciel, Op. 25 (Arr. for Cello & Orchestra) by Jacques Offenbach, Guido Schiefen, WDR Rundfunkorchester Köln, David De Villiers having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Poeme, Op. 41, No. 6 | Fibich, Grand Philharmonia Orchestra | C Major | 1 | 8B | 135 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay | A Major | 5 | 11B | 111 BPM | ||
Strauss: Radetzky March, Op. 228 | Johann Strauss I, Hallé, Bramwell Tovey | A Major | 4 | 11B | 122 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Offenbach: La belle Hélène, Act 1: No. 8, Finale, "Gloire! Gloire au berger victorieux" (Chorus, Agamemnon, Hélène, Oreste, Ménélas, Ajax premier, Ajax second, Achille, Pâris, Calchas) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | F Major | 1 | 7B | 94 BPM |
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