Giya Kancheli, Polina Osetinskaya, Julian Milkis's '18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis)' came out on October 21, 2022. The duration of 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) is about 3 minutes long, at 3:04. Based on our data, "18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Giya Kancheli, Polina Osetinskaya, Julian Milkis's "Kancheli: Music for Film and Theatre for Clarinet and Piano" album is number 15 out of 20. On top of that, Russia appears to be the country where this track was created. In terms of popularity, 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 18 Miniatures for Violin and Piano: No. 15, Marcato - Secco (Arr. Julian Milkis) by Giya Kancheli, Polina Osetinskaya, Julian Milkis to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XVIII. Andante cantabile | Sergei Rachmaninoff, Gautier Capuçon, Gabriela Montero | D♭ Major | 0 | 3B | 84 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Chants du Rhin, WD 52: Les rêves | Georges Bizet, Nathanaël Gouin | D♭ Major | 0 | 3B | 65 BPM | ||
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor | Jean Sibelius, Håvard Gimse | B Minor | 0 | 10A | 84 BPM | ||
Autumn Leaves | Gautier Capuçon, Jerome Ducros | A Minor | 3 | 8A | 104 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
Chopin: Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Dong Hyek Lim | D♭ Major | 0 | 3B | 67 BPM | ||
3 Pieces, Op. 2: Prelude in B Major, Op. 2, No. 2 | Alexander Scriabin, Evgeny Zarafiants | A Major | 1 | 11B | 87 BPM |
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