Traditional, Musica Antiqua Köln, Reinhard Goebel's 'Suite No. 5 In G Minor, BWV 1070 (App. B)(Not Attributed To Bach): 3. Aria (Adagio)' came out on January 1, 1986. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 29 in Bach, J.S.: Overtures and Suites by Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Suite No. 5 In G Minor, BWV 1070 (App. B)(Not Attributed To Bach): 3. Aria (Adagio)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 5 In G Minor, BWV 1070 (App. B)(Not Attributed To Bach): 3. Aria (Adagio) by Traditional, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Greensleeves | John Johnson, Anthony Rooley, James Tyler | F Major | 2 | 7B | 83 BPM | ||
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
Sanctum Et Immaculata | Monks Of The Abbey Of Notre Dame | E Minor | 0 | 9A | 101 BPM | ||
Edinorodnij Synje | St. Peter St. Paul Cathedral Choir of Minsk | E♭ Minor | 1 | 2A | 79 BPM | ||
Nocturnes: III. Sure On This Shining Night (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 105 BPM | ||
Lamentatio | Chants From the Holyland- Graz Gregorian Chants School of Austri | F♯ Minor | 1 | 11A | 142 BPM | ||
Izhe Kheruvimi (Cherubic Hymn): No. 7. — | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | D Major | 0 | 10B | 57 BPM | ||
Songs Of Penitence For Russia | "The Orthodox Singers" Male Choir, Georgiy Smirnov | C Major | 0 | 8B | 111 BPM | ||
Love Is Come Again | The Monteverdi Choir, John Eliot Gardiner | F Major | 2 | 7B | 78 BPM | ||
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM |
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