Antonio Vivaldi, Christina Pluhar, L'Arpeggiata's 'Vivaldi / Arr Pluhar: Allegro (from Concerto in G minor, RV 157)' had a release date set for September 1, 2017. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Christina Pluhar's "Handel goes Wild" album is number 4 out of 15. In terms of popularity, Vivaldi / Arr Pluhar: Allegro (from Concerto in G minor, RV 157) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Vivaldi / Arr Pluhar: Allegro (from Concerto in G minor, RV 157) by Antonio Vivaldi, Christina Pluhar, L'Arpeggiata to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Concerto pour flûte à bec soprano, cordes et basse continue en sol majeur, RV 443: II. Largo | Antonio Vivaldi, Vincent Lauzer, Arion Orchestre Baroque, Alexander Weimann | C Major | 5 | 8B | 82 BPM | ||
Rossi / Arr. Pluhar: Che più far degg’io | Luigi Rossi, Christina Pluhar, Céline Scheen, Valer Sabadus | E Minor | 1 | 9A | 102 BPM | ||
Beltà poi che t'assenti (Arr. for 2 Pianos) | Jenny Lin, Carlo Gesualdo, Uri Caine | B♭ Major | 1 | 6B | 119 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Rameau / Arr Roques: Nouvelles suites de pièces de clavecin, Suite en sol, RCT 6: XIV. Les Sauvages | Jean-Philippe Rameau, Alexandre Tharaud, Justin Taylor | G Minor | 3 | 6A | 103 BPM | ||
Rossi: "Begl'occhi che dite" | Luigi Rossi, Christina Pluhar, Véronique Gens | F Minor | 0 | 4A | 109 BPM | ||
Handel / Arr Pluhar: Tu del Ciel ministro eletto (Aria di Bellezza, from Il trionfo del Tempo e del Disinganno HWV 46a) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | C Major | 1 | 8B | 94 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Le Tic-Toc-Choc ou Les Maillotins (18e ordre) | François Couperin, Alexandre Tharaud | F Major | 3 | 7B | 133 BPM |