"Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionato" by Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan was released on February 2, 2023. Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionato appears to be safe for all ages as it is not explicit. The track order of this song in Felix Mendelssohn, Herbert von Karajan, Berliner Philharmoniker's "Mendelssohn: Violin Concerto & 5 Symphonies" album is number 1 out of 31. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionato by Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Violin and Cello in A minor, Op. 102: 2. Andante | Johannes Brahms, Anne-Sophie Mutter, Antonio Meneses, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 114 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | D Minor | 1 | 7A | 131 BPM | ||
Beethoven: Triple Concerto in C Major, Op. 56: II. Largo | Ludwig van Beethoven, Itzhak Perlman, Daniel Barenboim, Berliner Philharmoniker | A♭ Major | 1 | 4B | 115 BPM | ||
Sonata for Violin and Continuo in G Minor, B. g5 - "Il trillo del diavolo": I. Larghetto affettuoso | Giuseppe Tartini, Anne-Sophie Mutter, TrondheimSolistene | G Minor | 1 | 6A | 88 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: II. Larghetto | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | A♭ Major | 0 | 4B | 135 BPM | ||
Keyboard Concerto in D Major, Hob. XVIII:11 - Concerto for Piano: 3. Rondo all'Ungarese: Allegro assai | Franz Joseph Haydn, Martha Argerich, Württembergisches Kammerorchester Heilbronn, Jörg Faerber | D Major | 2 | 10B | 84 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 2. Andante | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | A Minor | 1 | 8A | 56 BPM |
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