Arthur Sullivan, Donald Adams, George Cook, Gillian Knight, Jean Hindmarsh, Jeffrey Skitch, John Reed, Joyce Wright, Thomas Round, William Cox-Ife, Isidore Godfrey, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Eric Wilson-Hyde made "H.M.S. Pinafore: For He Is An Englishman (Act 2)" available on January 1, 1998. With H.M.S. Pinafore: For He Is An Englishman (Act 2) being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "The Ultimate Gilbert & Sullivan Collection". In this album, this song's track order is #9. In terms of popularity, H.M.S. Pinafore: For He Is An Englishman (Act 2) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With H.M.S. Pinafore: For He Is An Englishman (Act 2) by Arthur Sullivan, Donald Adams, George Cook, Gillian Knight, Jean Hindmarsh, Jeffrey Skitch, John Reed, Joyce Wright, Thomas Round, William Cox-Ife, Isidore Godfrey, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Eric Wilson-Hyde having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen | Gilbert & Sullivan Society of Houston | E Minor | 2 | 9A | 102 BPM | ||
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
The Merry Widow: Overture | Franz Lehár, Anton Niessner, Emmy Loose, Erich Kunz, Elisabeth Schwarzkopf, Nicolai Gedda, Otakar Kraus, Josef Schmidinger, Philharmonia Orchestra, Philharmonia Chorus, Otto Ackermann | C Major | 4 | 8B | 144 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Bonney, Anne Howells, Anthony Rolfe Johnson, Stephen Roberts, London Symphony Chorus, City of London Sinfonia, Richard Hickox | D Major | 2 | 10B | 57 BPM | ||
The Pirates of Penzance: I Am the Very Model | Eric Roberts | C Major | 2 | 8B | 133 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
The Mikado: Three Little Maids | Jean Rigby, Lesley Garrett, Susan Bullock | E♭ Major | 2 | 5B | 109 BPM | ||
Rodgers / Arr. Powell: You'll Never Walk Alone (From "Carousel") | The John Wilson Orchestra, John Wilson | B♭ Major | 1 | 6B | 69 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM |
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