"Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"" by Gioachino Rossini, Cecilia Bartoli, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè was released on January 1, 1989. With this song being about 5 minutes long, at 5:10, "Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"" by Gioachino Rossini, Cecilia Bartoli, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 32 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il barbiere di Siviglia / Act 1: No. 7 Duetto: "Dunque io son... tu non m'inganni?" by Gioachino Rossini, Cecilia Bartoli, Leo Nucci, Orchestra del Teatro Comunale di Bologna, Giuseppe Patanè having a BPM of 121 with a half-time of 60 BPM and a double-time of 242 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, WD 31, Act 1: "Avec la garde montante, nous arrivons, nous voilà! "(Chorus) | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse | F Major | 1 | 7B | 130 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Vilde Frang, Eivind Gullberg Jensen, Danish National Symphony Orchestra | D Major | 1 | 10B | 86 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 155 BPM | ||
Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "Largo al factotum" (Figaro) | Gioachino Rossini, Alceo Galliera, Tito Gobbi, Philharmonia Orchestra | G Major | 2 | 9B | 67 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
The Marriage Of Figaro, Overture K. 492 | Hollywood Strings Orchestra | D Major | 2 | 10B | 145 BPM | ||
Symphony No. 5 in C Minor, Op. 67: III. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | A♭ Major | 1 | 4B | 82 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM |
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