"Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico)" by Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1994. Since Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "Rodrigo: Concierto de Aranjuez; Fantasía para un gentilhombre etc.". In this album, this song's track order is #5. In terms of popularity, Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Fantasía para un gentilhombre for Guitar and Small Orchestra: 2. Españoleta y Fanfare de la Caballería de Nápoles (Adagio - Allegretto molto ritmico) by Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Harp and Orchestra in C: 1. Allegro brillante | François-Adrien Boieldieu, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | G Major | 2 | 9B | 120 BPM | ||
African Suite: V. Akinla: Allegro non troppo | Fela Sowande, Chicago Sinfonietta, Paul Freeman | C Major | 0 | 8B | 130 BPM | ||
Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
Mozart, L: Toy Symphony: I. Allegro (Also Attributed to Haydn or Angerer) | Leopold Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Henning Kraggerud, Bournemouth Symphony Orchestra, Bjarte Engeset | D Major | 2 | 10B | 119 BPM | ||
Punto: Horn Concerto No. 5 in F Major: II. Adagio | Giovanni Punto, Barry Tuckwell | F Minor | 0 | 4A | 83 BPM | ||
Ghazel for Cello & Strings (Transc. Sam Dennison) | Victor Herbert, Lynn Harrell, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 0 | 5B | 80 BPM | ||
Grande Tarentelle, Op. 67, RO 259 | Louis Moreau Gottschalk, Michael Gurt, Hot Springs Music Festival Symphony Orchestra, Richard Rosenberg | D Minor | 3 | 7A | 82 BPM | ||
Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven, Joshua Bell, Academy of St. Martin in the Fields | A Major | 3 | 11B | 75 BPM | ||
Two Eligiac Melodies Last Spring | Academy of St. Martin in the Fields | G Major | 1 | 9B | 88 BPM |
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