"Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Gloria" by César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp was released on July 15, 2014. Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Gloria appears to be safe for all ages as it is not explicit. The song is number 2 out of 8 in Franck: Mass in A Major by César Franck, Salamon Kamp. Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Gloria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Gloria by César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo | Karol Szymanowski, Krystian Zimerman | G Minor | 0 | 6A | 78 BPM | ||
Prélude, Fugue et Variation in B Minor for Piano Solo, Op. 18, FWV 30 - Harold Bauer | Harold Bauer, César Franck, Jacqueline Bourges Maunoury | F♯ Major | 0 | 2B | 86 BPM | ||
Sonata for Cello and Piano in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Camille Thomas, Julien Libeer | F♯ Minor | 1 | 11A | 76 BPM | ||
Polonaise in A-Flat Major, Op. 53 | Frédéric Chopin, Evgeny Kissin | A♭ Major | 3 | 4B | 85 BPM | ||
Intermezzi, Op. 117: 1. In E-Flat Major | Johannes Brahms, Radu Lupu | E♭ Major | 0 | 5B | 73 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Tristesse, Op.6, No.2 | Gabriel Fauré, Mischa Maisky, Daria Hovora | F Minor | 0 | 4A | 97 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM |
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