"Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo)" by Emilio de' Cavalieri, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar was released on 2001. The duration of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Lucilla Galeazzi, Marco Beasley, L'Arpeggiata, Christina Pluhar, Gianluigi Trovesi, Johanette Zomer's "L'Arpeggiata, Christina Pluhar: The Complete Alpha Recordings" album is number 12 out of 100. Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rappresentatione di Anima, et di Corpo, Atto secondo: Scena quinta (Corpo, Anima, Risposta del Cielo) by Emilio de' Cavalieri, Johannette Zomer, Marco Beasley, L'Arpeggiata, Christina Pluhar to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Herr, nun lässest du deinen Diener in Friede fahren, SWV 281 | Heinrich Schütz, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 60 BPM | ||
Ricercar à 3 | Adrian Willaert, The Vienna Recorder Ensemble | B♭ Minor | 0 | 3A | 74 BPM | ||
Suite No. 1 in G Minor: IV. Saraband | Matthew Locke, Fretwork, Sergio Bucheli, Silas Wollston | D♭ Major | 0 | 3B | 86 BPM | ||
Kyrie, "Leroy": Kyrie Leroy | John Taverner, Ars Nova Copenhagen, Paul Hillier | B Minor | 3 | 10A | 119 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
Folias Gallegas (arr. G. Herreid) | Santiago De Murcia, Grant Herreid, Piffaro | A♭ Major | 0 | 4B | 132 BPM | ||
Rappresentatione di Anima et di Corpo: Atto primo Scena I Nr. 1 "Il tempo, il tempo fugge" | Emilio de' Cavalieri, Theo Adam, Ensemble Wolfgang von Karajan, Capella Academica Wien, Sir Charles Mackerras | D Major | 3 | 10B | 85 BPM | ||
Sicut lilium | Antoine Brumel, Choir of Jesus College, Cambridge, Mark Williams | G Major | 0 | 9B | 82 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad pedes: Salve mundi salutare | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM |
Section: 0.5352201461791992
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