Main Title (From "Beauty and the Beast")
Yoko Ara, Takehiko Yamada
Smile
4:59 June 1, 2018
BPM
140
Key
E Minor
Camelot
9A

Embed

Share Link

Main Title (From "Beauty and the Beast") - Yoko Ara, Takehiko Yamada Information

Acousticness
99%
Danceability
23%
Energy
13%
Instrumentalness
91%
Liveness
10%
Loudness
65%
Speechiness
4%
Valence
16%
Popularity
Loudness
-21.282 dB

Summary

"Main Title (From "Beauty and the Beast")" by Yoko Ara, Takehiko Yamada was released on June 1, 2018. With this song being about 5 minutes long, at 4:59, "Main Title (From "Beauty and the Beast")" by Yoko Ara, Takehiko Yamada is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Smile". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Japan. Based on our statistics, Main Title (From "Beauty and the Beast")'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Main Title (From "Beauty and the Beast") BPM

With Main Title (From "Beauty and the Beast") by Yoko Ara, Takehiko Yamada having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.

Main Title (From "Beauty and the Beast") Key

The music key of this track is E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
エルガー: 朝の歌 作品15-2 by 大河内涼子エルガー: 朝の歌 作品15-2大河内涼子D Minor27A108 BPM
November den femtonde dagen by Bellman Concerto Ensemble, Tomas Blank In HarmonyNovember den femtonde dagenBellman Concerto Ensemble, Tomas Blank In HarmonyG Major09B138 BPM
Canta Uno Augello In Voce Si Suave by Giorgio Federico Ghedini, Takehiko Yamada, Sadako MineCanta Uno Augello In Voce Si SuaveGiorgio Federico Ghedini, Takehiko Yamada, Sadako MineF Major07B67 BPM
Berceuse, Op. 12, no. 3 by José Rolón, Argentina DuránBerceuse, Op. 12, no. 3José Rolón, Argentina DuránG Major39B94 BPM
スマイルピアノ by 西村由紀江スマイルピアノ西村由紀江D Major110B121 BPM
3 Mozart Transformations, After Poulenc: III. Sehnsucht nach dem Frühlinge, K. 596 by Stephen Hough3 Mozart Transformations, After Poulenc: III. Sehnsucht nach dem Frühlinge, K. 596Stephen HoughB♭ Major06B132 BPM
A Dream is a Wish Your Heart Makes by Matthew CastleA Dream is a Wish Your Heart MakesMatthew CastleE Major112B149 BPM
Schumann: 3 Romances, Op. 22: No. 1 Andante molto by Clara Schumann, Emmanuel Pahud, Eric Le SageSchumann: 3 Romances, Op. 22: No. 1 Andante moltoClara Schumann, Emmanuel Pahud, Eric Le SageB♭ Major06B87 BPM
Humoresque in F Major, Op. 26 by William Henry Squire, Oliver Gledhill, Tadashi ImaiHumoresque in F Major, Op. 26William Henry Squire, Oliver Gledhill, Tadashi ImaiF Major27B157 BPM
Hommage à Edith Piaf, FP 176 (Arr. Haginomori for Flute and Piano) by Francis Poulenc, Cocomi, Niu NiuHommage à Edith Piaf, FP 176 (Arr. Haginomori for Flute and Piano)Francis Poulenc, Cocomi, Niu NiuC Minor15A71 BPM
ISRC
JPZ921800377
Label
L-M Records/RCA Records

Section: 0.9357447624206543

End: 0.9394814968109131