"The Domestic Sublime: I. The Surface of Things" by Katy Abbott, Chris Wallace-Crabbe, Greta Bradman, Leigh Harrold was released on March 3, 2014. The duration of The Domestic Sublime: I. The Surface of Things is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. The Domestic Sublime: I. The Surface of Things's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Domestic Sublime: The Vocal Music of Katy Abbott". In this album, this song's track order is #1. In terms of popularity, The Domestic Sublime: I. The Surface of Things is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Domestic Sublime: I. The Surface of Things by Katy Abbott, Chris Wallace-Crabbe, Greta Bradman, Leigh Harrold having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Approaching the Crazed Myth Hunter | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Revolución diamantina, Act IV: Speaking the unspeakable | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | C Major | 6 | 8B | 94 BPM | ||
Oberek No. 1 (arr. for brass ensemble by Jarle Storløkken) | Grażyna Bacewicz, tenThing, Tine Thing Helseth | A Minor | 0 | 8A | 66 BPM | ||
Tilson Thomas: Snappy Patter I | Michael Tilson Thomas, Ian Bousfield | F Major | 2 | 7B | 149 BPM | ||
Moonrise | Uli Doenitz | G Minor | 0 | 6A | 71 BPM | ||
Gil Blas: Theme. Allegro vivo | Jules Strens, Matty Cilissen, Royal Band of the Belgian Air Force | F Minor | 0 | 4A | 176 BPM | ||
Horn Concerto: I. With Energy | Bruce Broughton, William VerMeulen, London Symphony Orchestra, Jonathan Bloxham | C Minor | 3 | 5A | 91 BPM | ||
タンゴの歴史 ボーデル1900 | Nobuya Sugawa | G Major | 3 | 9B | 88 BPM | ||
Henry Reloaded | Gregor Hübner, Tetra Brass, Sirius Quartet | G Minor | 1 | 6A | 103 BPM | ||
String Quartet No. 4 "Varied Encounters": I. Moderato nostalgico | Michael Fine, Studio 9 Quartet | G Minor | 1 | 6A | 142 BPM |
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