Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu"
Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Le Concert d'Astrée
Bach: Cantatas, BWV 51, 82 & 199
0:16 November 7, 2008
BPM
87
Key
B Major
Camelot
1B

Embed

Share Link

Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" - Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Le Concert d'Astrée Information

Acousticness
97%
Danceability
44%
Energy
9%
Instrumentalness
0%
Liveness
12%
Loudness
68%
Speechiness
4%
Valence
59%
Popularity
Loudness
-19.467 dB

Summary

Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Le Concert d'Astrée made "Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu"" available on November 7, 2008. With Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 14 out of 17 in Bach: Cantatas, BWV 51, 82 & 199 by Johann Sebastian Bach, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" BPM

The tempo marking of Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" by Johann Sebastian Bach, Natalie Dessay, Emmanuelle Haïm, Le Concert d'Astrée is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Bach, JS: Mein Herze schwimmt im Blut, BWV 199: No. 5, Rezitativ. "Auf diese Schmerzensreu" Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Waldszenen, Op. 82: 3. Einsame Blumen by Robert Schumann, Mitsuko UchidaWaldszenen, Op. 82: 3. Einsame BlumenRobert Schumann, Mitsuko UchidaB♭ Major06B69 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Sonata in E Major, Kk. 20: Presto by Domenico Scarlatti, Ivo PogorelichSonata in E Major, Kk. 20: PrestoDomenico Scarlatti, Ivo PogorelichE Major012B130 BPM
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 by Lang LangThe Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846Lang LangC Major18B134 BPM
Suite in G minor: VII. Rigaudon (Arr. A. Camden) by George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardSuite in G minor: VII. Rigaudon (Arr. A. Camden)George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas WardC Minor15A118 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro by Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaConcerto grosso No. 1 in D Major, Op. 6: II. Largo - AllegroArcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena ZemanovaD♭ Major23B146 BPM
Brandenburg Concerto No. 1 in F BWV1046: I. [Allegro] by Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentBrandenburg Concerto No. 1 in F BWV1046: I. [Allegro]Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of EnlightenmentE Major412B172 BPM
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 by Felix Mendelssohn, Péter NagyLieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2Felix Mendelssohn, Péter NagyF♯ Minor111A166 BPM
Concerto in D Minor: II. Adagio by Alessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner EhrhardtConcerto in D Minor: II. AdagioAlessandro Marcello, Johann Sebastian Bach, Céline Moinet, L'Arte del mondo, Werner EhrhardtD Minor07A68 BPM
Choral-Vatiationen: Var. I. In canone all'Ottava by Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentChoral-Vatiationen: Var. I. In canone all'OttavaIgor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale GentC Major18B93 BPM
ISRC
GBAYC0802304
Label
L-M Records/RCA Records

Section: 0.7489180564880371

End: 0.756162166595459