"Un ballo in maschera / Act 2: "Ecco l'orrido campo"" by Giuseppe Verdi, Margaret Price, National Philharmonic Orchestra, Sir Georg Solti was released on January 1, 1985. With Un ballo in maschera / Act 2: "Ecco l'orrido campo" being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Verdi: Un Ballo in Maschera by Giuseppe Verdi, Kathleen Battle, Renato Bruson, Christa Ludwig, Luciano Pavarotti, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti. The song's track number on the album is #12 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Un ballo in maschera / Act 2: "Ecco l'orrido campo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Un ballo in maschera / Act 2: "Ecco l'orrido campo" by Giuseppe Verdi, Margaret Price, National Philharmonic Orchestra, Sir Georg Solti has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Un ballo in maschera / Act 2: "Ecco l'orrido campo" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
La traviata*: Act I: Un di, felice, eterea | Giuseppe Verdi, Florencio Constantino, Eugenia Bronskaya, Studio pianist, Studio ensemble | F Major | 1 | 7B | 78 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
La forza del destino / Act 4: Invano Alvaro | Giuseppe Verdi, Richard Tucker, Robert Merrill, Metropolitan Opera Orchestra, Francesco Molinari-Pradelli | D♭ Major | 4 | 3B | 80 BPM | ||
Macbeth / Act I: Coro di Streghe: "S'allontanarono!" | Giuseppe Verdi, Shirley Verrett, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Major | 2 | 11B | 115 BPM | ||
Verdi: La traviata, Act 1: "Sempre libera" (Violetta, Alfredo) | Giuseppe Verdi, Maria Callas, Gabriele Santini, Orchestra Sinfonica della RAI | A♭ Major | 1 | 4B | 115 BPM |
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