"Heil'ge Nacht, auf Engelsschwingen" by Thomanerchor Leipzig, Hans-Joachim Rotzsch was released on February 21, 2014. The duration of Heil'ge Nacht, auf Engelsschwingen is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Heil'ge Nacht, auf Engelsschwingen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Weihnachten mit dem Thomanerchor by Thomanerchor Leipzig, Hans-Joachim Rotzsch. The song's track number on the album is #15 out of 30 tracks. Heil'ge Nacht, auf Engelsschwingen is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Heil'ge Nacht, auf Engelsschwingen by Thomanerchor Leipzig, Hans-Joachim Rotzsch has a tempo of 81 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Heil'ge Nacht, auf Engelsschwingen being at 81 BPM, the half-time would be 40 BPM with a double-time of 162 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 851 | Luc Beauséjour | D♭ Minor | 5 | 12A | 125 BPM | ||
Concerto Armonico No. 1 in G Major: Grave | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 63 BPM | ||
Deutsche Messe, D. 872: Zum Eingang: Massig | Franz Schubert, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Heroische Musik: I. Maestoso | Georg Philipp Telemann, John Roderick MacDonald, Martin Stephan | A Major | 2 | 11B | 114 BPM | ||
Christ lag in Todesbanden, BWV 4: V. Verse 4. Es war ein wunderlicher Krieg | Johann Sebastian Bach, Thomanerchor Leipzig, Gewandhausorchester, New Bach Collegium Musicum Leipzig, Hans-Joachim Rotzsch, Ludwig Güttler, Gerhard Essbach, Karl Semsch, Rolf Bachmann, Walter Heinz Bernstein, Burkhard Schmidt, Achim Beyer, Gerd Schulze | E Minor | 2 | 9A | 37 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Gloria in excelsis Deo | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Oi Jeesus, veljen suloinen, Sl 69 | Mieskuoro Weljet, Elja Puukko | E Minor | 2 | 9A | 87 BPM | ||
Elias, Op. 70: Teil II: Wer bis an das Ende beharrt | Felix Mendelssohn, Thomas Hengelbrock | F Major | 1 | 7B | 67 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM |
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