"Don Carlos, Act I: Prelude “Carlo il sommo Imperatore” (Monks' Chorus)" by Orchestra "New Philharmony" Saint Petersburg, Philharmonia Choir New Philharmony Saint Petersburg, Anton Alexeev was released on October 14, 2022. Don Carlos, Act I: Prelude “Carlo il sommo Imperatore” (Monks' Chorus) is about six minutes long, preciously at 6:20, making this song fairly long compared to other songs. The song is number 25 out of 40 in Classical Choice: Romantic Italy by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Don Carlos, Act I: Prelude “Carlo il sommo Imperatore” (Monks' Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Carlos, Act I: Prelude “Carlo il sommo Imperatore” (Monks' Chorus) by Orchestra "New Philharmony" Saint Petersburg, Philharmonia Choir New Philharmony Saint Petersburg, Anton Alexeev is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armida: Armida: Sinfonia in Pantomima | Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey | G Major | 1 | 9B | 83 BPM | ||
客 | 孔德威, 王雨尘 | G Minor | 6 | 6A | 156 BPM | ||
Sinfonia Concertante in B-Flat Major, Hob. I:105: I. Allegro | Joseph Haydn, Marieke Blankestijn, Steven Isserlis, Douglas Boyd, Matthew Wilkie, Sir Roger Norrington | A Minor | 3 | 8A | 168 BPM | ||
The Code | Alan Lee Silva, North Gwinnett Middle School Honor Orchestra, Amy Clement | D Major | 3 | 10B | 146 BPM | ||
Piano Concerto No. 1 in D Minor: III. Allegro con brio | Marie Jaëll, Célia Oneto Bensaid, Debora Waldman, Orchestre National Avignon-Provence | F Major | 2 | 7B | 105 BPM | ||
Symphony No. 49 in F Major: III. Presto ma non troppo | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | F Major | 2 | 7B | 80 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
借我人间二两酒 | 孔德威, 王雨尘 | D Minor | 5 | 7A | 78 BPM | ||
Idomeneo KV 366: Overture | Wolfgang Amadeus Mozart, Sir Charles Mackerras, Scottish Chamber Orchestra, Ian Bostridge, Lisa Milne | A Major | 1 | 11B | 147 BPM | ||
独自承受相思劫 | 田娥 | B♭ Major | 6 | 6B | 170 BPM |
Section: 0.8108515739440918
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