Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 - Claude Debussy, Philippe Cassard, François Chaplin Information

Acousticness: 99%
Danceability: 15%
Energy: 7%
Instrumentalness: 93%
Liveness: 15%
Loudness: 43%
Speechiness: 4%
Valence: 4%
Popularity: 6%
Loudness: -34.184 dB

Summary

"Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1" by Claude Debussy, Philippe Cassard, François Chaplin was released on June 7, 2022. With Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 75 out of 231 in Debussy: Music For Concentration by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 BPM

The tempo marking of Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 by Claude Debussy, Philippe Cassard, François Chaplin is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Première suite pour orchestre, L. 50 - Version pour piano à quatre mains: 3. Rêve - Pt. 1 Key

D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042)	Johann Sebastian Bach, Gabriela Montero	F♯ Minor	0	11A	73 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM
Henry V: Henry V: Touch her soft lips and part	William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter	C Major	0	8B	82 BPM
Lieder ohne Worte, Op.19: No. 6 In G Minor (Andante sostenuto), MWV U 78 - "Venetian Gondola Song"	Felix Mendelssohn, Daniel Barenboim	G Minor	0	6A	82 BPM
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman)	Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev	D♭ Major	1	3B	101 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz	A Minor	0	8A	70 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Cançoneta for Violin and Orchestra	Joaquín Rodrigo, Agustín León Ara, Academy of St. Martin in the Fields, Sir Neville Marriner	A Major	0	11B	70 BPM

ISRC: FRUM72200909
Label: L-M Records/RCA Records

Section: 0.729201078414917

End: 0.7332963943481445