"Piano sonata in A Major, D. 959: II. Andantino" by Franz Schubert, Paul Lewis was released on May 5, 2014. Since Piano sonata in A Major, D. 959: II. Andantino is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 15 in the song's album "Schubert: The Late Piano Sonatas". In this album, this song's track order is #2. Furthermore, we believe that the track originated from France. Piano sonata in A Major, D. 959: II. Andantino is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano sonata in A Major, D. 959: II. Andantino by Franz Schubert, Paul Lewis having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Nietzsche und Wagner, Op. 49: I. Nietzsche | Fazıl Say | B Minor | 5 | 10A | 95 BPM | ||
Piano Quartet in E-flat Major, Op.16: II. Andante cantabile | Isaac Stern, Jaime Laredo, Yo-Yo Ma, Emanuel Ax | B♭ Major | 1 | 6B | 62 BPM | ||
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
Sonata No.2 in D Minor, Op.12: IV. Vivace | Elena Kuschnerova | D Minor | 2 | 7A | 89 BPM | ||
The Well-Tempered Clavier, Book 1, Prelude & Fugue No. 1 in C Major, BWV 846: I. Prelude | Johann Sebastian Bach, Sviatoslav Richter | C Major | 0 | 8B | 72 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Jascha Horenstein, Royal Philharmonic Orchestra, Earl Wild | C Minor | 2 | 5A | 73 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第1曲 さすらい | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | F Major | 1 | 7B | 76 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第2曲 どこへ? | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | G Major | 1 | 9B | 125 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434 (arr. W. Kempff for piano): 7 Keyboard Suites, Set II, No. 1: IV. Menuet (arr. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Roland Pöntinen | G Minor | 0 | 6A | 67 BPM |
Section: 0.7211430072784424
End: 0.7247209548950195