"Wiegenlied for Piano in E Minor, Op. 18 No. 5, S. 198" by Franz Liszt, Christian Spring was released on 1989. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 20 in Berceuses (Lullabies) [Wiegenlieder] by Christian Spring. In terms of popularity, Wiegenlied for Piano in E Minor, Op. 18 No. 5, S. 198 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wiegenlied for Piano in E Minor, Op. 18 No. 5, S. 198 by Franz Liszt, Christian Spring is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In D Major, Op. 6, No. 1 : II. Allegro | Arcangelo Corelli, Daniela Ruso, Quido Holbling, Anna Holbling, Ludovit Kanta, Capella Istropolitana | A Major | 3 | 11B | 131 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 2. Allegro moderato - Allegro deciso | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A♭ Major | 1 | 4B | 78 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM |
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