George Duke made "Son of Reach for It" available on 1982. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 11 in Dream On (Bonus Track Version) by George Duke. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Son of Reach for It is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Son of Reach for It by George Duke is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
It's All the Way Live | Lakeside | C Major | 7 | 8B | 118 BPM | ||
Turn Me Out | The Whispers | C Minor | 6 | 5A | 108 BPM | ||
Don't You Wanna Make Love | Shotgun | C Minor | 6 | 5A | 119 BPM | ||
Class (Is What You Got) | The Reddings | B Minor | 7 | 10A | 109 BPM | ||
Hi, How Ya Doin'? | Kenny G | C Major | 7 | 8B | 113 BPM | ||
New Beginning | Dexter Wansel | D Minor | 6 | 7A | 98 BPM | ||
Long as We're Together | Debra Laws | A♭ Major | 7 | 4B | 88 BPM | ||
Mr. Briefcase | Lee Ritenour | C Major | 7 | 8B | 119 BPM | ||
We Both Need Each Other (feat. Phyllis Hyman & Michael Henderson) | Norman Connors, Phyllis Hyman, Michael Henderson | E♭ Major | 6 | 5B | 84 BPM | ||
Sugar Mama Baby | Steve Arrington | A Major | 4 | 11B | 80 BPM |
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