On March 13, 2019, the song "モーツァルト: ピアノ・ソナタ 第2番 ヘ長調 K. 280 〜第1楽章" was released by 雨宮修平 (Piano: 馬場彩乃). With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "TVアニメ「ピアノの森」雨宮修平の軌跡". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. In terms of popularity, モーツァルト: ピアノ・ソナタ 第2番 ヘ長調 K. 280 〜第1楽章 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With モーツァルト: ピアノ・ソナタ 第2番 ヘ長調 K. 280 〜第1楽章 by 雨宮修平 (Piano: 馬場彩乃) having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ディヴェルティメント K.136~第2楽章(モーツァルト) | ベルリン室内管弦楽団 | G Major | 0 | 9B | 117 BPM | ||
Keyboard Concerto in D Major, Op. 7, No. 3, W. C57: I. Allegro con spirito | Johann Christian Bach, Anastasia Injushina, Hamburger Camerata, Ralf Gothoni | A Major | 1 | 11B | 134 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: II. Andantino, sempre piano | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 0 | 5B | 80 BPM | ||
L'adieu Allegro molto agitato | Dai Sugimoto | A Minor | 1 | 8A | 61 BPM | ||
Sonatine Bureaucratique, IES 69: II. Andante | Erik Satie, Denis Pascal | D Major | 0 | 10B | 183 BPM | ||
L'adieu (the Farewell) | Diane Hidy & Keith Snell | A Minor | 1 | 8A | 80 BPM | ||
Samson Et Dalila: Finale to Act I (Arr. Solo Piano by Saint-Saëns) - Welte-Mignon 797 | Camille Saint-Saëns, Peter Phillips | E♭ Major | 1 | 5B | 71 BPM | ||
Piano Sonatina in F Major, Op. 88, No. 4: I. Allegro molto | Friedrich Kuhlau, Jenő Jandó | F Major | 1 | 7B | 145 BPM | ||
Prelude, opus 28 - No.7 | Frédéric Chopin, Ensemble Ferblanc | A Major | 0 | 11B | 77 BPM | ||
Symphony in C Major, Bryan C11 "Il comista": I. Allegro con brio | Jan Krtitel Vanhal, Munich Philharmonic Chamber Orchestra, Michael Helmrath | F Major | 0 | 7B | 70 BPM |
Section: 0.6907017230987549
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