"Symphony in D, H.I No. 6 - "Le Matin": 1. Adagio - Allegro - Excerpt" by Joseph Haydn, The English Concert, Trevor Pinnock was released on September 21, 2022. The duration of Symphony in D, H.I No. 6 - "Le Matin": 1. Adagio - Allegro - Excerpt is about 3 minutes long, at 3:29. Based on our data, "Symphony in D, H.I No. 6 - "Le Matin": 1. Adagio - Allegro - Excerpt" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 347 out of 449 in A Season of Music: Haydn by Joseph Haydn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony in D, H.I No. 6 - "Le Matin": 1. Adagio - Allegro - Excerpt's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Symphony in D, H.I No. 6 - "Le Matin": 1. Adagio - Allegro - Excerpt by Joseph Haydn, The English Concert, Trevor Pinnock is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Cello Concerto No. 1 in G Major: III. Rondo: Allegro | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | G Major | 1 | 9B | 137 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
Sonata in G Minor, K. 450: Allegrissimo | Domenico Scarlatti, Ivo Pogorelich | G Minor | 2 | 6A | 100 BPM | ||
Concerto in G Major for Flute, Strings, and Basso Continuo: II. Adagio | Johann Stamitz, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 0 | 11B | 71 BPM | ||
Symphony in D Major, Op. 3, No. 2: IV. Prestissimo | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | D Major | 1 | 10B | 89 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): II. Andante | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | G Major | 0 | 9B | 80 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Suite for Cello and Orchestra, Op. 16: IV. Romance (molto adagio) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Major | 0 | 12B | 78 BPM |
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