"Sussex Carol" by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble had its release date on September 1, 1991. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 19 in Bach Choir sing Family Carols by The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sussex Carol's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sussex Carol by Traditional, The Bach Choir, Sir David Willcocks, John Scott, Royal Military School of Music Fanfare Trumpeters, The Graham Ashton Brass Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solomon, HWV 67: Arrival of the Queen of Sheba (Arr. S. de Boufflers Taylor for Organ) | George Frideric Handel, Sir Stephen Cleobury | B♭ Major | 0 | 6B | 105 BPM | ||
Lady Rich, Her Galliard | John Dowland, Nigel North | F♯ Major | 0 | 2B | 83 BPM | ||
Stella Splendens In Monte | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Kyrie - Rex aeterno | Traditional, Konrad Ruhland, Choralschola of the Niederaltaicher Scholaren | D Major | 0 | 10B | 173 BPM | ||
A lieta vita (Sing and we chant it) | Thomas Morley, The Musicians of Swanne Alley | F♯ Major | 1 | 2B | 103 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Responsorium "Subvenite" | Traditional, Cistercian Monks of Stift Heiligenkreuz | G Major | 0 | 9B | 107 BPM | ||
Proprium Missae in Dominica: Introitus - Respice in Me | Traditional, Slovenski Madrigalisti | A Minor | 0 | 8A | 132 BPM | ||
Five Spirituals from "A Child of Our Time": I. Steal Away | Michael Tippett, Christopher Bell, National Youth Choir of Scotland, Royal Scottish National Orchestra | G Major | 2 | 9B | 84 BPM |