- BPM
- 103
- Key
- D♭ Major
- Camelot
- 3B
"Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) - Zoltan Kelemen Information
- Acousticness
- 95%
- Danceability
- 27%
- Energy
- 11%
- Instrumentalness
- 36%
- Liveness
- 54%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 14%
- Popularity
- 0%
- Loudness
- -23.094 dB
Summary
""Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter)" by Zoltan Kelemen was released on January 1, 2005. "Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. There are a total of 41 in the song's album "Richard Wagner: Das Rheingold". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, "Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
"Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) BPM
With "Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) by Zoltan Kelemen having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
"Das Rheingold": Hehe! Ihr Nicker! (Alberich, Rheintöchter) Key
The music key of this track is D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Die Fledermaus / Act 1: Dialog: Täubchen, das entflattert ist | Johann Strauss II, René Kollo, Lucia Popp, Julia Varady | A♭ Major | 1 | 4B | 103 BPM | |
 | Schoenberg: Gurre-Lieder, Pt. 1: "So tanzen die Engel vor Gottes Thron nicht" (Waldemar) | Arnold Schoenberg, Sir Simon Rattle, Berliner Philharmoniker, Karita Mattila, Thomas Moser, Anne Sofie von Otter, Thomas Quasthoff | D Major | 1 | 10B | 173 BPM | |
 | The Merry Widow (Die lustige Witwe) / Act 1: Dialog: "Njegus, Geliebter, ich bin hier" | Franz Lehár, Elizabeth Harwood, René Kollo, Karl Renar, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 84 BPM | |
 | Tosca / Act 1: "E sempre lava!...Angelus Domini nuntiavit Mariae...Che fai?" | Giacomo Puccini, Fernando Corena, Giuseppe Di Stefano, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 108 BPM | |
 | Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | |
 | Die Meistersinger von Nürnberg (1999 Digital Remaster), Act Three, Scene Four: Die selige Morgentraum-Deutweise....Selig, wie die Sonne (Sachs/Eva/Walther/David/Magdalene) | Karl Ridderbusch, Chor Des Reichssenders Leipzig, Theo Adam, Zoltan Kelemen, Horst Lunow, Horst Reeh, Helen Donath, Hermann Christian Polster, René Kollo, Staatskapelle Dresden, Peter Bindszus, Geraint Evans, Eberhard Büchner, Kurt Moll, Herbert von Karajan, Hans-Joachim Rotzsch, Siegfried Vogel, Horst Hiestermann, Ruth Hesse, Dresden State Opera Chorus, Peter Schreier | F♯ Minor | 2 | 11A | 76 BPM | |
 | Das Rheingold, WWV 86A / Erste Szene: "Der Welt Erbe gewänn' ich zu eigen durch dich?" | Richard Wagner, Helen Donath, Edda Moser, Anna Reynolds, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 4 | 3B | 173 BPM | |
 | Mahler: Symphony No. 8 in E-Flat Major "Of a Thousand", Pt. 2 "Final Scene from Faust": XIV. Komm! Komm! | Gustav Mahler, City Of Birmingham Symphony Orchestra, Sir Simon Rattle, City of Birmingham Symphony Chorus, Juliane Banse, London Symphony Chorus | B♭ Minor | 0 | 3A | 79 BPM | |
 | Siegfried, WWV 86C / Act II: "Wohin schleichst du eilig und schlau, schlimmer Gesell?" | Richard Wagner, Catherine Gayer, Gerhard Stolze, Jess Thomas, Zoltan Kelemen, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 76 BPM | |
 | Salome, Op. 54 / Scene 4: "Siehe, der Tah ist nahe" | Richard Strauss, Leonie Rysanek, Horst Hiestermann, Uwe Peper, Ralf Lukas, Bryn Terfel, Friedrich Molsberger, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | E Major | 1 | 12B | 132 BPM |
- ISRC
- USA370927548
- Label
- L-M Records/RCA Records
Section: 1.0256619453430176
End: 1.0301949977874756