"Saul, HWV53: 5. Recitative: Behold, o king, the brave, victorious youth; Air: O king, your favours with delight" by Handel, J Vyvyan, L Dutoit, E Thorborg, H Watts, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley was released on February 19, 2013. Saul, HWV53: 5. Recitative: Behold, o king, the brave, victorious youth; Air: O king, your favours with delight is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. The song is number 113 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Saul, HWV53: 5. Recitative: Behold, o king, the brave, victorious youth; Air: O king, your favours with delight is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 5. Recitative: Behold, o king, the brave, victorious youth; Air: O king, your favours with delight by Handel, J Vyvyan, L Dutoit, E Thorborg, H Watts, H Handt, Vienna Symph Orch, M Wöldike, The Copenhagen Boys Choir, T Hemsley is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Act I - Valens - Recitative, Aria; Chorus | Handel, Amor Artis Chorale, English Chamber Orchestra | D Major | 4 | 10B | 103 BPM | ||
Act III - Simon "Rejoice, Oh Judah" | Handel, Heather Harper, ECO/Somary, Alexander Young, Helen Watts, John Shirley-Quirk | D Major | 3 | 10B | 94 BPM | ||
Jephtha, HWV 70: Chorus: No more to Ammon's god and king | Handel, English Chamber Orchestra, Maureen Forrester, Alexander Young, Reri Grist, Helen Watts, Johannes Somary | D Major | 3 | 10B | 94 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Oboe Concerto in D minor - Adagio | Alessandro Marcello, Senia Trubashnik, Luxembourg Radio Symphony Orchestra, Kurt Redel | C Minor | 1 | 5A | 71 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | ||
Concerto for 2 Trumpets in C Major, RV 537: I. Allegro | Antonio Vivaldi, Michael Meeks, Crispian Steele-Perkins, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM |
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