"Die Schöpfung Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: Aus Rosenwolken bricht" by Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine was released on January 1, 1991. With this song being about 5 minutes long, at 4:35, "Die Schöpfung Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: Aus Rosenwolken bricht" by Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 10 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Die Schöpfung Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: Aus Rosenwolken bricht is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Dritter Teil: 29. Orchestereinleitung und Rezitativ: Aus Rosenwolken bricht by Joseph Haydn, Gösta Winbergh, Berliner Philharmoniker, James Levine to be Vivace (lively and fast) because the track has a tempo of 166 BPM, a half-time of 83BPM, and a double-time of 332 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 130 BPM | ||
Guitar Quintet No. 9 in C Major, G. 453, "La Ritirata di Madrid": IV. 12 Variazioni, "La Ritirata di Madrid" (The Retreat from Madrid) | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": III. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | A Major | 1 | 11B | 137 BPM | ||
Der Fischer und das Milchmädchen: III. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Hummel: Trumpet Concerto In E Flat - I Allegro Con Spirito | Johann Nepomuk Hummel, Tine Thing Helseth | B♭ Major | 1 | 6B | 136 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Das Waldmädchen: No. 19, Masur | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM |
Section: 0.8716809749603271
End: 0.8774032592773438