"Les heures persanes, Op. 65: No. 6. A travers les rues: Allegro vivo" by Charles Koechlin, Ralph van Raat was released on April 5, 2011. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Charles Koechlin, Ralph van Raat's "Koechlin: Les heures persanes" album is number 6 out of 16. Les heures persanes, Op. 65: No. 6. A travers les rues: Allegro vivo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les heures persanes, Op. 65: No. 6. A travers les rues: Allegro vivo by Charles Koechlin, Ralph van Raat to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Tonkünstler-Orchester, Yutaka Sado | B♭ Major | 1 | 6B | 92 BPM | ||
12 Esquisses, Op. 47, No. 1: VIII. Moderato tranquillo ma non lento | Charles Koechlin, Mireille Guillaume | F Major | 1 | 7B | 169 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
12 Esquisses, Op. 47, No. 2: VIII. Andante espressivo | Charles Koechlin, Mireille Guillaume | G Major | 0 | 9B | 157 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 4, Lento "She Borrowed Some of Her Mother's Gold" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E Minor | 0 | 9A | 73 BPM | ||
Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie" (arr. C. Koechlin): IV. Allegro | Franz Schubert, Charles Koechlin, Florian Hoelscher, Stuttgart Radio Symphony Orchestra, Heinz Holliger | C Major | 2 | 8B | 132 BPM | ||
Suite en quatuor, Op. 55: III. Final. Allegro con moto. Bien decide | Charles Koechlin, Tatjana Ruhland, Yaara Tal, Ingrid Philippi, Mila Georgieva | D Major | 0 | 10B | 107 BPM | ||
Poulenc: Flute Sonata, FP 164: II. Cantilena | Francis Poulenc, Emmanuel Pahud, Eric Le Sage | B♭ Minor | 0 | 3A | 64 BPM |
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