Polonaise, BWV Anh. 123 (C.P.E. Bach) - Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam Information

Acousticness: 71%
Danceability: 52%
Energy: 22%
Instrumentalness: 99%
Liveness: 8%
Loudness: 48%
Speechiness: 4%
Valence: 63%
Popularity: 0%
Loudness: -31.113 dB

Summary

Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam made "Polonaise, BWV Anh. 123 (C.P.E. Bach)" available on December 22, 2006. With Polonaise, BWV Anh. 123 (C.P.E. Bach) being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 38 in Bach Edition Vol. 16, Chamber Music Part: 13 by Pieter-Jan Belder. Polonaise, BWV Anh. 123 (C.P.E. Bach) is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Polonaise, BWV Anh. 123 (C.P.E. Bach) BPM

The tempo marking of Polonaise, BWV Anh. 123 (C.P.E. Bach) by Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Polonaise, BWV Anh. 123 (C.P.E. Bach) Key

This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Overture (Suite) In G Minor, TWV 55: G4: IV. Les Capricieuses	Cologne Chamber Orchestra, Georg Philipp Telemann	G Minor	4	6A	136 BPM
Dixit Dominus, ZWV 66: Sicut erat in principio - After Psalm 109	Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists	A♭ Major	2	4B	61 BPM
Sonata No. 8 in B Minor, Op. 2: III. Tempo di sarabanda. Adagio	Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder	A Minor	1	8A	130 BPM
Overture In The French Style In B Minor BWV 831, Ouvertüre Nach Französischer Art, H Moll BWV 831: Echo	Pieter-Jan Belder, Johann Sebastian Bach, Arts Music Recording, Rotterdam	A Minor	5	8A	96 BPM
Concerto for 3 Trumpets, Timpani, 2 Oboes, bassoon and Violin in D Major, FWV L:D3: I. Allegro	Johann Friedrich Fasch, Il Gardellino	A♭ Major	2	4B	99 BPM
Sonata a quattro in D Major a Tromba Sola, Due Violini e Basso, WoO 4: II. Allegro	Arcangelo Corelli, Rémy Baudet, Sayuri Yamagata, Albert Brüggen, David Van Ooijen, Pieter-Jan Belder, William Wroth	C Major	2	8B	113 BPM
Sonate en Sol Mineur, Op. 1 No. 3: II. Allegro	Jean-François Dandrieu, Le Consort, Justin Taylor	A♭ Minor	1	1A	73 BPM
Concerto Grosso In C Major, Op. 6, No. 10: I. Preludio: Andante Largo	Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Quido Holbling, Anna Holbling, Capella Istropolitana	A Major	1	11B	142 BPM
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: I. No Tempo Indication	Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt	D Major	3	10B	108 BPM
Pieces de clavecin: Suite in E Minor: V. Le Rappel des Oiseaux	Jean-Philippe Rameau, Gilbert Rowland	D♭ Minor	4	12A	108 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6175215244293213

End: 0.6218783855438232